And the following is the sequel:
When Val Kilmer Winks
13 hours ago
I often struggle with knowing when a story is finished…. Finishing means that the story is as good as it is going to be, or rather—as good as you can make it. It’s hard to let stories go… Sometimes we have to make the choice, decide, and just stop. Sometimes, even though the story isn’t perfect, we have nothing left to say.
It's your personality on the page. As the writer, you have a unique voice -- something that sounds exactly like you, that is completely different from everyone else. The best writers develop a strong sense of voice, so that you can actually tell the author wrote it -- "That is obviously Mark Twain," or "That's got to be Edgar Allen Poe" or "I can tell Charles Dickens wrote that." In contemporary writing circles, it's easy to sound like everyone else, since conferences and classes all seem to suggest there is a "right" way to write. That tends to flatten out voice in favor of correctness. But if three decades in publishing have taught me anything, it's that a great writing voice will make you stand out.
As an agent, I find myself MUCH more drawn to a great writing voice than any other factor. Think about some of the contemporary writers who have a strong voice -- Haven Kimmel, Douglas Adams, Garrison Keillor... nobody mistakes them for someone else. They simply don't sound like everybody else. They sound like themselves. And I find the more I write, the more I sound like myself. And, frankly, the more I sound like myself, the better "voice" I have in my writing.
Again, I keep hearing people at conferences who more or less want all writers to sound the same. That's undoubtedly helpful to beginning writers, who simply need to keep their creativity in check long enough to learn the basics of the craft. But it's also why I keep seeing the same novel coming across my desk -- instead of Fiona and Drake in Scotland, the setting is now Becky and Charles on the prairie, only the story is the same. The only things that's changed are the costumes. It's boring. And it's the curse of writing classes and conferences. (Don't get me wrong -- I love writer's conferences. I just don't want everybody coming out of them sounding like clones.) The best writers learn the rudiments, figure out how to craft a novel, then take the steps of learning how to do it in their own way, using their own voice, so that the story YOU tell is not the same story your NEIGHBOR will tell.